Colman Domingo Fires Back at Backlash Over Drag Performance
Colman Domingo shuts down backlash after starring in Sabrina Carpenter’s Rocky Horror–inspired “Tears” video . Explore the video’s themes Domingo’s response and the fashion and artistic vision behind the bold release of Man’s Best Friend .
Oscar nominated actor Colman Domingo has swiftly silenced critics after facing backlash for his drag portrayal in Sabrina Carpenter’s latest music video Tears . The visual released on August 29 2025 is a centerpiece of Carpenter’s seventh studio album Man’s Best Friend . In the video Domingo takes on a flamboyant campy role that draws inspiration from the cult classic Rocky Horror Picture Show .
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When one social media user questioned Hollywood’s portrayal of masculinity and mocked his drag role Domingo responded calmly but firmly .
“It’s a character. Like all the characters I play . Calm down brother. Enjoy the video and the fun that it possesses. Dance it out It ain’t that deep” .
He further invoked RuPaul’s famous mantra “We are born naked and everything else is drag” With this reply Domingo reframed the criticism as a reminder that drag is a performance art — playful powerful and worthy of respect .
The Video – A Disco Infused Queer Mayhem Spectacle
Directed by Bardia Zeinali Tears is a fever dream of disco camp and horror tropes. The storyline begins with Carpenter stumbling out of a car crash before wandering into a wild drag filled mansion. Inside Domingo’s character becomes her guide leading her through a theatrical transformation .
Domingo dives fully into the role wearing dramatic wigs extravagant costumes and delivering choreographed lip sync routines reminiscent of Rocky Horror. Alongside him drag stars like Meatball and Hatti Rees electrify the screen creating a chaotic yet joyous queer theatrical experience .
The video’s flamboyant energy underscores Carpenter’s embrace of unapologetic high concept pop artistry .
Bold Fashion Meets Retro Glam
The fashion in Tears is as audacious as its storyline. Carpenter dons a reimagined 2003 Victorias Secret lingerie set once modeled by Naomi Campbell. The archival look features a metallic fringe chainmail halter mirrored ruffled bottoms silver stilettos and sparkling accessories .
To complete the retro disco aesthetic Carpenter worked with makeup artist Carolina Gonzalez hairstylist Evanie Frausto and nail artist Zola Ganzorigt. The result glittery eye makeup voluminous curls and shimmering silver nails — a tribute to the glitz and glamour of the 1970s .
Sabrina Carpenter on Artistic Vision and Controversy
Carpenter has been candid about her intentions for Man’s Best Friend describing the album as “sexual powerful and vulnerable.” In a recent interview she admitted that the themes may unsettle conservative audiences — noting it is “not for the pearl clutchers” — but maintained that even skeptics might find themselves enjoying its boldness .
The pop star has also faced criticism for the provocative album cover where she appears on a leash in a submissive pose. While detractors labeled it “degrading” Carpenter defended the imagery explaining that it reflects themes of youth power dynamics and authenticity. Even her parents she noted understood and supported the creative direction .
Artistic Freedom and the Power of Drag
Domingo’s response to criticism reinforces the idea that drag is a vibrant art form — a space of freedom character embodiment and performance. By leaning into RuPaul’s mantra he underscored that drag is not a threat to masculinity but a celebration of transformation and theatricality .
The actor also expressed solidarity with queer and trans communities sharing the phrase “Protect all the Dolls” ahead of the video’s release — a message of affirmation and inclusion .
Conclusion
Sabrina Carpenter’s Tears video is more than just a music video — it is a statement piece. Combining drag fashion and theatrical storytelling it celebrates queerness and creative boldness in pop music. Colman Domingo’s poised response to backlash serves as a reminder that artistry should be met with openness and joy not resistance .
At its core Tears embodies the spirit of drag and performance unapologetically expressive delightfully camp and ultimately liberating .